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Messages - allergictofun

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61
Non-Music Shit / Re: Your Favorite JPEG/GIF
« on: May 26, 2011, 11:31:14 AM »
Any other Bay Area people see the above-the-fold photo on the cover of the Chronicle yesterday? Apparently the article was about sunscreen, not man-dog pleasure as one would assume.

62
Non-Music Shit / Re: Baseball Thread 2011
« on: May 26, 2011, 08:25:55 AM »
That mega sucks, he's out for the year then. That's pretty much the same injury that has derailed Kendrys Morales for almost two full seasons. Suxxxxx, I hope they get the surgery right the first time around.

Eli Whiteside is a decent enough catcher, but this def puts the Giants into full-blown trade mode. They need to get a power bat from somewhere (not at C, naturally) to stick in the middle of the lineup.

Dude, no FUCKING way. He was just getting his groove too. It seemed like the dude that pummeled him knew he had fucked him up more than anyone else.  Maybe he heard a crack.
63
Sending a text isnt City.
Trying to call him on a pay phone is.

In a phone BOOTH. Ripping page out of phone booth yellow pages - total city move.
64
i've heard monoshock, did not think they sucked, i think i've heard comets on fire but nothing i can remember.  i was thinking this was going to be current bands
everything (two albums and a few singles) up to blue cathedral are worth the grippin.  some would disagree, but the band was super solid until said album.  but i'm also a sucker for most things six organs related.  but this band ripped the fuck outa monoshock, so i might be outa my ass anyways.

I'm more of a fan of the later period of Comets On Fire. They got better with each album. Definitely dig their latest LP "Avatar" the most. Only saw them once and it was crazy loud and very good.

The middle two, Field Recs and Blue Cathedral, are the best (last one, Ethan is already getting a little too blooz dog for me).   It wasn't really Comets until Utrillo joined. Also, pre- Personal & the Pizzas!
65
I sent you a text at 6:30. If you went to sleep at 6pm but that meant you were just getting to sleep from night before... I guess that could still be city.
66
I wouldn't have thunk it but I can't stop listening to the new Urge Overkill album.

Not perfect by any stretch but the good stuff is really good.  In the UO scheme of things I'd say it is better than "Saturation" and easily good enough to make you forget that "Exit the Dragon" ever existed.  The first three songs are perfect and I think I've listened to them almost 20 times since yesterday afternoon.  I was too busy to go see them last week and now I am super bummed about it.

Ha! I've totally been curious to hear this record but knew I'd instantly get pop-punk'd if I asked about it. I saw King Roeser a few years ago in Chicago carrying a kid, wearing shorts and fucking CROCS, but 'better than Saturation' is pretty solid praise so I gotta check it now.

Thanks for making UO cool to talk about on Termbo, Dave.
67
Ok, now ALL orders have been sent out... Down to maybe 15-20 Scrotum Poles singles left from the first pressing.

Thanks for your orders. Please let me know if you have any problems.
68
So Day 3 report: Another good evening. LENZ tread that line between punk, rock, and glam and remind me a bit of a lot of obscuro 70s glam acts like David Werner and Dorian, but brought into the now. Loved their set...

My favorite part was when I was standing behind Karl Ikola (pretty far back) and in between songs I heard him say super loudly, "Yeah, totally, I hear Roxy Music and definitely, DEFINITELY Simple Minds, like the first Simple Minds album. Have you heard that? dkghdjgldkjgdklggg....."

Right after LENZ played, Andy said to me, "In between songs I heard some dude saying we sounded like Roxy Music - that's cool." LOL.
69
I'm eagerly awaiting Dj Rick's extensive in-depth review of all the shows. Yesterday was a great time. I think a lot of people were pretty burnt and ready to get some rest before Monday by the time we came on, but it was really fun.

Nar was fantastic - it's really a testament to their timelessness that it sounded like they never stopped playing. And really, they basically sounded and looked exactly the same! Hadn't really realized that I had put out that last Nar single some SIXTEEN years ago (at the least) which really blows my mind. I always had the feeling that even though they never had a huge following at the time that people would still care about them down the line so I'm glad I hung on to the remainder of the pressing. Sold more copies yesterday than I have in the last five years!

Sorry to the out-of-town dude I couldnt adequately help at the merch table if he's on here. But really, paying with a fifty?
70
Music Shit / Re: Creation Records
« on: May 21, 2011, 04:10:10 PM »
Biff Bang Pow has that much shit? Well shiver me timbers. or whatever. That list is giving me weird feelings. I dunno why, I only know like half the bands. I don't own an original but MBV 'Realise' for singles with JAMC maybe second, Isn't Anything and Bandwagonesque for LPs.

This thread got real.

This back cover's pretty cool.

There are a few different colors. Mine's yellow. Don't know the stats re: which color is from which pressing.

first press looks like this:



it has the band's address on the back, which was removed from subsequent pressings.


Who the fuck are The Loft? Are they the OG Loft-Pop band? I actually really need to know this.



(sidebar: are The Feelies Loft-Pop Ground Zero?)

(addendum: what does teenagegurls think of this?)


Biff Bang Pow! have way way more than that. Even at the start they were kind of an acquired taste and never taken very seriously (especially since it's McGee's band), but even I can't get too into the later records where they get really into Neil Young whininess and get pretty dire.

The Loft is Peter Astor's band - they morphed into the Weather Prophets who were  more quite a bit popular but a have kind of an 80s blues-pop thing that doesn't age well. The WPs records are pretty common even in the States and do have a few solid songs. First time I heard Richard Hell's 'Time' was The Loft's cover, and in general I'd say their stuff is not that far off from that, kind of bookish, mid-tempo understated moody garage pop, albeit with a definite mid-80s UK thing.  Way way later Astor did a bunch of kind of spacey electronic pop records for a bunch of labels (even Matador?) under the name The Wisdom of Harry. The Loft oddly have gotten back together and done a few singles this and last year.

Erick, not sure what you'll think of this stuff, but the early Creation stuff definitely has a fairly cohesive sound for the first couple years. It gets a lot more varied when the label got bigger and but outside of the JAMC/Meat Whiplash/Slaughter Joe singles, it's basically the sound of dudes who came out of the post-punk scene but got into 60s psych and garage instead of New Romo like everyone else. The TVPs, Pastels and June Brides were definitely key precursors (and inspirations), as well as probably early 80s UK garage bands like The Sting-Rays and Barracudas (Sting-Rays dudes show up on the Slaughter and X-Rays singles). If you like the Feelies, good chance you'll like some of it, but I wouldn't really compare them. I'd recommend just finding the Wow Wild Summer or Different for Domeheads comps which comp songs from the early singles to see if it's something you'll dig.

71
- Keith Richards autobiography on audiobook, read by Johnny Depp. Lately these days, I have to drive so much that music isn't cutting it, so it's either baseball on the radio or audiobooks. Was kind of looking forward to this, but so far the growing up bits have been kind of slow. Usually books keep me awake more than music but last trip I had to stop and sleep three times in two hours (making the trip two hours longer than it should have been). Depp isn't so bad (and luckily doesn't do a fake accent except when Richards quotes himself), but I think it's one of those skip-to-the-juicy bits kind of books. Pretty much every book about any 60s musician bio is going to have the same 'when I first heard Elvis' or 'when Lonnie Donegan came on the radio...' snoozy bits.

- Martin Newell solo LP reissue. Yeah, it's great, but anyone else notice b-side either warped or off-center? It's warbly for me and driving me batty. Not surprised Cleaners are having a resurgence right now - always thought Ariel Pink mainly ripped R Stevie Moore, but now that I think about it, the whole sound really bites Newell. Quite likely he's using the same kind of 4-track recording set up as those guys (on purpose or otherwise)...

- Angola Soundtrack comp on Analog Africa. I, like many others went crazy buying African reissues but I just went overboard and totally burnt out. As much as I love it, lots of that shit sounds the same with the huge glut of shit coming out, it gets tough to discern one from another. But of all the ones I bought in the last year or two, this one still gets played. I'm way more into highlife and juju than Afrobeat stuff but love the fucked up fuzz on the rockier 70s stuff, so this one is perfect for me. The rhythms are more traditional African or West Indian rhythm-based (and not as much Western rock & funk-rooted), but there's still tons of electric guitars and janky distortion. Plus the compers did a great job putting together a bunch of moody and deep shit that fits really smoothly together, kind of like um, a soundtrack.

also Beach Boys 'Wild Honey' LP.
72
Music Shit / Re: Creation Records
« on: May 21, 2011, 01:51:25 PM »
Started thinking about this after Whet's Teenage Filmstars mention, so I'll give it a shot. This is really hard without them all in front of me, can't remember which b-sides are on which. Stopped when I lost interest, around 45, but tried to put them in some kind of order....

All singles unless it says LP:

Primal Scream "All Fall Down"
Jesus & Mary Chain "Upside Down"
Meat Whiplash "don't Slip Up"
JC Brouchard w. Biff Bang Pow 'Someone Stole my Wheels"
Felt The Pictorial Jackson Review LP
Jasmine Minks 'Think'
Pastels "Million Tears"
Jasmine Minks 'Where the Traffic Goes"
Jasmine Minks "Whats Happening"
Bodines "Therese"
Biff Bang Pow! Pass The Paintbrush Honey LP
Biff Bang Pow! 'There Must Be a better Life"
Bodines "God Bless"
The Loft "Why Does the Rain"
Teenage Fanclub Bandwagonesque LP
The Loft "Up the Hill & Down the Slope"
Phil Wilson "Waiting for a Change"
Teenage Fanclub 'Star Sign'
Felt Let The Snakes Crinkle Their Heads To Death LP
Biff Bang Pow! Oblivion LP
Felt "Ballad of the Band"
Biff Bang Pow! '50 Years of Fun'
Pastels "I'm Alright with You"
Ride 'Ride' EP
Felt Forever Breathes The Lonely Word LP
The Membranes The Gift of Life LP
Jasmine Minks "Cold Heart"
Biff Bang Pow "Loves Going OUt of Fashion"
Biff Bang Pow! Girl Who Runs The Beat Hotel LP
Pastels 'Something Going On" 7"
Biff Bang Pow "Whole Worlds Turning Brouchard"
Felt Poem Of The River LP
Jasmine Minks 1,2,3,4,5,6,7 All The Good Preachers Go To Heaven LP
Revolving Paint Dream 'Flowers in The Sky'
Jasmine Minks Jasmine Minks LP
Slaughter Joe 'I'll Follow You Down"
Razorcuts LP Storyteller
Felt 'Final Resting of the Ark'
House of Love 'Christine'
MBV 'You Made Me Realise"
Slaughter Joe "She's So Out of Touch"
Pacific 'Shrift'
My Bloody Valentine Isn't Anything LP
73
Music Shit / Re: Creation Records
« on: May 21, 2011, 12:31:07 PM »
Back to important shit. I looked up the showing of the moving in SF again somewhere else and the email link was just incorrect. Looks like this is the correct one:

cliftsessions@morganshotelgroup.com

[I'm really not claiming any definitive knowledge about the other thing, but McGee could have made any number of those; as long as the plates still existed, he could have re-pressed those once, twice or a hundred times without letting on to anyone how many there were. As they were done under sketchy pretenses, unless you worked at the plant, there's no way to really know the truth. It would have been in his best interest that people only thought there were a handful then, and now it's in dealers' best interest that people still think that. This is my least favorite kind of record collector blabber.]
74
Music Shit / Re: Creation Records
« on: May 21, 2011, 12:04:31 PM »
To clarify, that 12" was not really just a test pressing. It was made way later and has been repressed multiple times. They had a few at Rough Trade in late 90s (not sure why I didn't buy it). This is blurry heresay but i believe the story goes that McGee pressed these to grab some quick cash, without band's consent, repressing them here and there and leaking them underthe table for cash flow (perhaps during his drug years). I think there might be as many as a few thousand?

you are correct.  it was originally supposed to be the test-pressing and was sold via the rough trade shop for something like 50 pounds--not sure about it being made way later, but mcgee kept bringing them in periodically. the initial claim is that it was a 100 copy pressing, but it's more likely somewhere around 500-1,000.  it pops up infrequently and usually goes for $2-300.

i got mine for FREE.



Original 'Upside Down' 12" test pressing with Mayking labels pictured above, less than a dozen of these pressed Feb '85. A few months later 100 white label copies were pressed, McGee would take a box of these to the Rough Trade shop when ever funds were low.  Possibly another 100 copies might have been pressed but definitely nowhere near 500-1,000 copies exist. Rough Trade sold them for 30 pounds each in 1985 (not late 90's).

Well, I really don't give a fuck, and Ii cant remember the details of how many nerdling numbers there were, but I did see a few in the late 90s when I worked there. But whatever, just thougt you might enjoy some factual information.

Could the test pressings you saw in the late 90's have been 'Cracking Up' or 'I Love Rock 'n' Roll' (1998 records, also on Creation)?

Or could it have been Freeheat? No dude, it was Black Rebel Motorcycle Club! Geez, I can't remember! Could it have been the Crocodiles?
75
Music Shit / Re: Creation Records
« on: May 21, 2011, 11:14:17 AM »
To clarify, that 12" was not really just a test pressing. It was made way later and has been repressed multiple times. They had a few at Rough Trade in late 90s (not sure why I didn't buy it). This is blurry heresay but i believe the story goes that McGee pressed these to grab some quick cash, without band's consent, repressing them here and there and leaking them underthe table for cash flow (perhaps during his drug years). I think there might be as many as a few thousand?

you are correct.  it was originally supposed to be the test-pressing and was sold via the rough trade shop for something like 50 pounds--not sure about it being made way later, but mcgee kept bringing them in periodically. the initial claim is that it was a 100 copy pressing, but it's more likely somewhere around 500-1,000.  it pops up infrequently and usually goes for $2-300.

i got mine for FREE.



Original 'Upside Down' 12" test pressing with Mayking labels pictured above, less than a dozen of these pressed Feb '85. A few months later 100 white label copies were pressed, McGee would take a box of these to the Rough Trade shop when ever funds were low.  Possibly another 100 copies might have been pressed but definitely nowhere near 500-1,000 copies exist. Rough Trade sold them for 30 pounds each in 1985 (not late 90's).

Well, I really don't give a fuck, and Ii cant remember the details of how many nerdling numbers there were, but I did see a few in the late 90s when I worked there. But whatever, just thougt you might enjoy some factual information.
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