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« on: July 09, 2008, 11:24:45 PM »
Sure, re: backline - in Japan, apparently every club has really pro gear that's permanently there, and it's well maintained by the club. Of course shows cost $40.
If you were to skim a bit from the door towards a maintenance fee that would take care of the repair problem, but then we're back to bands not making as much money. I've not been to UK shows where the club provides a full backline - usually the promoter just loans his own amp, and borrows one or two from a friend. This obviously has it's advantages and disadvantages; it gives basement shows a different dynamic (though we don't have basement shows here).
In general I've found that it's easier to find venus in the UK - there are no shortages of pubs or art spaces or jazzy coffeehouses. In Pittsburgh it seemed like there was always a new crisis about nowhere to have diy/indie/punk shows, since there were usually only 2 or 3 places that were constantly under threat. I get the feeling it's way better now and no one needs to worry about that anymore, but there still aren't like 50 different venues to put on gigs.