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« on: December 18, 2013, 02:48:18 AM »
'John Coltrane Stereo Blues' rules and saves Medecine Show from being "only" the half-hearted Neil-worship it mostly is, yeah.
Also catching up to the Roxy thread, thanks so much for your input, SSR - it's a good perspective and I need to check out some of the live stuff. My fave is definitely Stranded though I can only dream of what it would have been like with Eno. (Kinda like wondering what On Her Majesty's Secret Service would have been like with Connery, yeah?) I don't mind that Eno was useless window dressing; he created a role in music, and he was not useless anyway. Unless you think Martin Swope was useless. Eno provided a way for all of us bespectacled geeks to find an avenue into participating in rock music.
My friend tried to play 'Mother of Pearl' during his wedding as they walked down the aisle but the CD skipped like mad, just turning the whole experience into a comedy act, with bride groom family and justice of the peace all cracking up.
I'm curious to check out the new Ryan Power - his first one seemed like one of those things that I could get into, somehow distinguishing itself against the hundred other quirky new song-based artists.
Also listening to, lately:
"Blue" Gene Tyranny - Detour - his more piano-focused work has just been perfect for these long coding sessions I've been buried in
Maher Shalal Hash Haz - From a Summer to Another Summer - I never 'got' these guys; when I lived in Glasgow everyone there was crazy about them and I always found it amateurish and lackluster. I gave this a random play and there were some amazingly awkward farty sub-Ayler jazz attempts that had quite a charm.
Mekons - Journey to the End of the Night - this is totally my favourite Mekons record. Yes, I am old. Except I think it was my favourite Mekons record ten years ago too.