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Topics - permanent records

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1
Used Records For Sale/Auctions/Wantlists / HEAVY ROCK 45s
« on: August 11, 2018, 03:07:43 PM »
I've been curating the Brown Acid comp series for the last 4 years or so and I collect those kinds of records.
If you have something you wanna sell in that zone, please drop me a line.
Also, if you want something in that zone, please drop me a line.  I have stuff for sale and for trade.
Some stock copies of Brown Acid inclusions too.

Here's a link in case yr not familiar:
https://www.permanentrecordsla.com/store/c75/Brown_Acid.html
2
Hey old friends,

It's been a minute...but I haven't forgotten about y'all.  Hope y'all haven't forgotten about me!

Thought y'all might be interested in this money saving bundle:
https://www.permanentrecordsla.com/store/p3113/LP_-_Various_Artists_-_The_First_-_Sixth_Trip_-_6xLP_Combo_Pack.html

Also, on the shameless self-promotion tip.  Here's how I've been wasting my time lately:
https://www.permanentrecordsla.com/permanent-label.html

I'll try not to be such a stranger in the future.  Life fuckin' happens man.

Thanks!
Lance
3
I'm on the hunt for rare and unknown Hard Rock / Heavy Psych / Proto Metal 45s.
Lemme know what you got!  I'll pay top dollar for stuff I need.
Also down to trade.  Here are some things I have (besides store inventory):

Bob Goodsite "Faze I" (Sound Patterns)
Tour "One of the Bad Guys" (Radex)
Zekes "Box" (Beverly Hills)
Flasher "Icky Bicky" (Criminal)
Sweet Crystal "Warlords" (Fiddlers)
Bungi "Numbers" (Earthquake)
Grasshopper "My Honey" (IMC)
Mopptops "Our Lives" (Fantastic)
Jeremiah "Do It To Ya" (Artesia)
4

Brown Acid: The First Trip

Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a decade, particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins ? often hoarding them in private collections, or selling at ridiculous collector?s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks of Brown Acid: The First Trip.

Lance Barresi, co-owner of L.A.-cum-Chicago shop Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the 11-track compilation. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that?s hard to believe have remained unheard for so long.

?I essentially go through Hell and high water just to find these records,? Barresi says. ?Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we?re using for Brown Acid is best for everyone involved.? Rather than simply bootlegging the tracks, when all of the bands and labels haven?t existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success.

? All of (these songs) could?ve been huge given the right circumstances,? says Barresi. ?But for one reason or another most of these songs fell flat and were forgotten. However, time has been kind in my opinion and I think these songs are as good now or better than they ever were.?

Raw Meat, for example, one of the stomping standouts from the compilation, is a band about which precious little is known even by the owner of the label and producer of the band?s original 1969 single, Richard Paul Thomas ? two of its tracks reissued as a 7? teaser single for the compilation on July 14th, 2015 via RidingEasy Records. The trio was from north of Milwaukee, WI, but not much more information remains available. ?They were one of the tightest trios around at the time and had a fairly large repertoire of their own material,? the label owner says (name?). ?The only thing that sticks in my mind was the band?s bumper sticker ?Raw Meat Is Good For You?. Our offices were on Lincoln Avenue just next door to the Federal Meat inspectors offices.?

Brown Acid: The First Trip opens with the slithering buzzsaw guitars and hard-rock howl of Zeke?s? ?Box?, a monster that gives Blue Cheer a run for their leaden blues. Snow sways into ?Sunflower? with a touch of Steppenwolf?s swagger and wind-in-their-hair wildness. Elsewhere, Zebra proves they were ?Wasted? with a soul-inflected groove, while Bob Goodsite leans in on his wah-wah and phaser pedals, determined to out-Hendrix Jimi himself on ?Faze.? Raw Meat?s ?Stand By Girl? serves up a fierce, stomping riff intercut with Iron Butterfly style operatics. Bacchus kicks out a hostile sounding boogie, demanding to ?Carry My Load.? Josefus caps it all off nicely with a hooky power-pop meets Bob Seger System meets Lollipop Shoppe anthem with the undeniably catchy chorus, ?hard luck ? keep truckin?!?

It?s a solid set of unknown hits you can?t believe failed to connect back in their heyday due to various unfortunate circumstances. But now in 2015, Brown Acid: The First Trip gives these long-lost gems their well deserved moment to shine.

01. Zekes ?Box?
02. Snow ?Sunflower?
03. Tour ?One of the Bad Guys?
04. Zebra ?Wasted?
05. Bob Goodsite ?Faze 1?
06. Raw Meat ?Stand By Girl?
07. Punch ?Deathhead?
08. Bacchus ?Carry My Load?
09. Lenny Drake ?Love Eyes (Cast Your Spell On Me)?
10. The Todd ?Mystifying Me?
11. Josefus ?Hard Luck?


http://shop.permanentrecordschicago.com/store/p1326/LP%2FCD_-_Various_Artists_-_Brown_Acid%3A_The_First_Trip_-_Heavy_Rock_From_The_American_Comedown_Era.html
5
Does anybody have a clean copy of this one I can borrow, buy, or trade for?
Thanks,
Lance

http://www.45cat.com/artist/alice-blue
6


Pick up a copy in the shop or mail-order here, $59.99:
https://shop.permanentrecordschicago.com/lp-spike-in-vain-disease-is-relative-original-sealed-1984-stock/dp/78671

Whole album up here:
https://www.youtube.com/watch?v=lJR5EsnPbPc&feature=youtu.be

PLEASE NOTE: MINOR CORNER BUMPS, AS THIS IS ORIGINAL STOCK!!!

Seriously we couldn't have been more stoked this week to get never opened copies of Spike In Vain's one and only album "Disease Is Relative" at the shop. YES!!!! This, our friends, is the definition of a lost punk classic. Scarce info exists about this killer Ohio band's short existence, but we did some research and here you go -

"Dissonant, demented and wholly free-form, this Shaker Hts.-based four-piece wrote and performed material that embraced punk's energy but rejected its conventions, creating a sound that pre-dated the grunge-noise scene of the early-'90s. The art-damaged brainchild of two brothers, Andrew and Chris Marek, the group released an LP, Disease is Relative, in 1984, and recorded another more conventional rock record (that was never released) before breaking up the following year. The Mareks resurfaced in 1991 as Soul Vandals, while guitarist Robert Griffin and drummer Scott Pickering went on to form Prisonshake." - cleveland.com

HELL YES this is some schizoid damaged punk rock, KBD / "Bloodstains Across The Midwest" style!!!! But more than just yer average rustbelt angsty youth aping Black Flag / Germs / etc, "Disease Is Relative" has a real angular, dark post punk bent sound. Like they were listening to Christian Death, PiL, Joy Division and Pere Ubu as much as "Blasting Concept", "Flex Your Head" and "Not So Quiet On The Western Front", influences which make this album sound ahead of its time and still fresh today. Snotty, loud, blown out and fucking off-the-rails hardcore from early 80s, Ohio or otherwise, doesn't get any better than this. We can't believe Spike In Vain has flown under the radar so many years without a reissue!!! "Disease Is Relative" will not leave yer turntable that we can promise, and EVERYONE, not just the punk rarities junkies, NEEDS this rager now!!!! SEVERELY RECOMMENDED!!!! And we're pretty sure this might yer last chance ever to grab a NEW copy!!!!
7
Permanent Records' 43rd label release!



RELEASE DATE: SEPTEMBER 2nd, 2014
300 COPIES PRESSED:
200 ON BLACK WAX AVAILABLE FOR WHOLESALE: email permanentwax@gmail.com
100 ON OXBLOOD WAX AVAILABLE IN CHICAGO & L.A. SHOPS & via DIRECT MAILORDER


Listen to "Skin Suit" here:
https://soundcloud.com/permanentrecords/leather-slave-skin-suit-st-lp-perm-043

Leather Slave are from LA and sound a lot like Brainbombs.  Here are some review excerpts from Julian Cope's Head Heritage site:
 
"I've never heard any band...match what [Leather Slave] did. Period. From what I heard the band is still going strong, although I dunno if it's still the same lineup...  Of course one of the enigmatic things about this band is that they don't list credits or any information about themselves...But the thing that really sets this band apart is not only that the musicianship is brilliant, but that they have no redeeming value whatsoever(!) It's rock 'n roll at it's most primal and destructive -- what your parents feared in such music. Think Rolling Stones circa Exile on Main Street crossed with an even more stripped-down Raw Power by the Stooges, along with the more anarchic moments from the Swans, topped off by the writings of De Sade and Peter Sotos and yr halfway there... It's "Horror-Punk" except inspired by "Last House on Dead End Street" rather than "Teenage Frankenstein" or whatever...

Their...album starts off deceptively innocuous...but gets shattered by a devastating discordant riff, with what could be a manifesto of some sort. "If you have the fucking power, then use it to kill them all!"

Again the amazing thing about the band is the musicianship, although the songs are not songs as much as they could be called loops in a way -- mostly a series of tight grooves that threaten to fall apart and often do. The drummer has a particularly nimble touch here, but can kick out the jams just as John Bonham can... The guitars manage to sound incredibly sick and brutal, pretty much adding to the theme, but even when they restrain it a little the effect is still quite disturbing.  As for the vocals, it's not singing as much as speaking...but somehow it still works in the overall musical fabric, so to speak...

But the playing's extremely good -- they seemed to have studied rock 'n roll right down to its blues/country roots.

Of course the album closes with a totally repellent track that's a noisy, discordant mess, although that drummer still manages to keep it together which is (again) amazing... Probably this band isn't for everyone's taste, but if you like good rock 'n roll and at the same time appreciate what Whitehouse does, then this is for you."

 
This review is technically of Brainbombs "Obey", but since Leather Slave have so much in common with Brainbombs, we imagine Mr. Cope would have exactly the same thing to say about Leather Slave.  Genius and Brutality.  Taste and Power.  For days.
 
RIYL: Brainbombs, Francis Harold & the Holograms, Big Black, Rectal Hygienics, Fang, AmRep

www.permanentrecordschic ago.com
8
https://www.facebook.com/events/381426268663346/

You really should also make it out the hozac jam later that night at the Empty Bottle too, it's only $10. RON... FUCKING.. HOUSE...

9
Permanent Records' 39th label release!

300 COPIES PRESSED:
200 ON BLACK WAX AVAILABLE FOR WHOLESALE (again) - permanentwax@gmail.com
100 ON BEER WAX SOLD OUT


Listen:
https://soundcloud.com/permanentrecords/basic-cable-blonde-ambition



Our buds at the Empty Bottle penned this little bit about Basic Cable for our 7th Year Anniversary Party and we think it sums these snide booze fueled bad vibe bringers up very fucking nice:

"Channeling bad vibes, worse hangovers and a general life-keeps-shitting-on-us attitude, Chicago's BASIC CABLE find a way to have fun as they commiserate with each other, and their listeners. Fairly new to "the scene," their blown out guitars, shouted, monotone vocals and punishing rhythms make for a noisy, punk-as-fuck attack that tingles our dingles in ways we can barely comprehend." ? Empty Bottle

Review snipets from split flexi single with Endless Bummer on Notes and Bolts / Eye Vybe Records:

"Basic Cable, formed by ex-Loose Dudes, Heavy Times, and current Running members, is a thrashing two minutes of caterwauling vocals, and instruments that sound like they're going to fall apart at any moment." ? Notes and Bolts / Eye Vybe Records

"Basic Cable, comprised of some Chicago's assorted noteworthy maniacs from various other quality acts mentioned above, lean in thick and mean with a paranoid rocker that pummels a riff into the ground while some terrifying laser sound sets its sights for your soul. It's all over waaaay too soon, so here's hoping we're getting more material from BOTH acts in the near future. Savagely Recommended." ? Permanent Records

RIYL: Cows, Jesus Lizard, Pissed Jeans, METZ, Watery Love, Fang, AmRep

Pick a copy up direct:
https://shop.permanentrecordschicago.com/lp-basic-cable-im-good-to-drive-%28black-wax-ltd-200%29/dp/77061

Also Trailer Space (Austin) picked a couple copies up. Otherwise, Revolver, Forced Exposure, and Carrot Top are all holding.
10
Permanent Records' 37th label release!

300 COPIES PRESSED:
200 ON BLACK WAX AVAILABLE FOR WHOLESALE
100 ON WHITE WAX AVAILABLE EXCLUSIVELY THROUGH PERMANENT RECORDS CHICAGO & LA


Listen:
https://soundcloud.com/permanentrecords/merx-distress



MERX INCLUDES ? OF GERMAN ARMY

LA's MERX is back with another platter of menacing post-punk, no-wave, cold-wave, industrial electronic thinking-man's creep terror. Have a look at a few reviews of their debut LP (also on Permanent Records)?

Reviews of MERX's debut LP:

"Live, Merx are a menacing enigma?a tall, blonde, howling, sometime bespectacled lead singer who is one part Alan Vega, one part Ian Curtis, and the rest horror movie madman looks blankly forward, shaking and screaming, while the rest of the band plays with no acknowledgement of anyone else in the room. The guitarist faces his amp, his back to the crowd, emitting an eerie tremoloed guitar sound reminiscent of the Plugz?s instrumentals from Repo Man. The bassist is absorbed by his own drone, which also permeates the rest of the space, while the keyboardist stares into his keys; all this on top of drum machine effects that recall an industrial assembly line. The sound this four piece creates is always loud, and they do what few bands of their ilk can: replace a human drummer with a machine without sounding either empty or overbearing. (The only other recent band that has done the same is Okie Dokie, who sadly aren?t around anymore.) On record, Merx are just as strangely engrossing. ?1000 Suitors,? the mid-tempo opener, sets the tone with its bizarre opening lyrics, ?Who?d think a tall man could stoop so low;? ?French Drop? has the pulsating bass and creepy Western guitar in full effect, along with whispered vocals and a nod to Slade (?Goodbye t? Jane, and her youth, and her purse?); while the shouts and yelps on ?the Law? are nothing less than frightening. This is a strange and dark album but also a really great one." - Daniel Clodfelter (LA Record)

"LA's Merx is a pretty frightening proposition channeling brutal cold wave via influences like Chrome, Throbbing Gristle, and Suicide. Everyone writing about the band mentions their very tall, sometimes bespectacled "vocalist" who sounds eerily like Ian Curtis. I thought it was one of those tired, rock journalist tropes until I put on the track "The Law" off their s/t Permanent Records debut, and found myself sitting straight up in the chair like I'd just heard a ghost! For your extreme listening pleasure!!" ? Live Eye TV Video Music Blog

"MERX is the most highly-educated band of professionals in LA.  Maybe that's why the members have chosen to keep their off-the-grid musical hobby so minimally simplistic.  Each one of the nine songs on Merx's debut LP is comprised of looped synthetic drums, repetitively melodic bass and synth lines, and post-apocalyptic Morricone-esque guitar bits.  Over the top, a very tall man in a Throbbing Gristle/Mickey Mouse/Grateful Dead parody tee speak/sings shouts/whoops like a baritone hybrid of Ian Curtis, Nick Cave, and Alan Vega.  His lyrics are simplified existential philosophies that seem worthy of printing, studying, analyzing, and pondering for all eternity.  Of course, this man chose not to include his lyrics on the insert.  What you do get, however , are a bunch of random hand-made collages, stickers, and weird notes written by band members (who will remain nameless) themselves.  The songs are short, memorable, and timeless post-punk numbers that sound similar, but not exactly like anything we've ever heard before.  The band member's education obviously extends beyond the classroom and into the rock'n'roll realm, specifically UK circa 79-81.  "Merx" is a timeless 21st century record for connoisseurs with a morbid curiosities.  That means you." ? Permanent Records

RIYL: Suicide, Throbbing Gristle, DNA, SPK, German Army, Brotman & Short, Cold Wave

Black Wax Limited to 300 Copies For $10 Wholesale, minimum 5 copies. E-mail if interested: permanentwax@gmail.com

White Wax Limited to 100 Copies Exclusively through Permanent! AVAILABLE NOW:
https://shop.permanentrecordschicago.com/lp-merx-20000-sq-ft-under-the-sea-%28white-wax-ltd-100%29/dp/77057


Currently available through Revolver & Carrot Top.

Thanks!
11
Permanent Records' 12th label release!

REPRESS OF 300 COPIES ON BLACK VINYL AVAILABLE NOW!

Listen:
https://soundcloud.com/permanentrecords/umberto-the-child



In 2010 Expo ?70 bass/synth player Matt Hill went solo. His debut LP under the Umberto moniker is an analog masterpiece heavily influenced by the classic film score work of Goblin. From the moment you drop the needle, you?ll be transported to Italy as an extra in a vintage horror flick directed by Dario Argento. This is some of the most authentic sounding music of the ?Giallo? genre we?ve ever heard. Time has shown that many others have come to agree. "From The Grave?" was previously only available as a hyper limited edition CDr and cassette tape via Sonic Meditations. We loved it so much we pressed it to wax, then repressed it to wax, licensed it to Burka For Everybody in 2011 for a single Euro-pressing, and are now finally finding ourselves repressing this out-of-print gem once again.

Reviews of Umberto ?From The Grave??:

From aQarius Records:
"Doubtless many movie (and music) buffs would agree that Italian '70s and '80s "giallo" (horror/thriller) cinema, from directors like Dario Argento and Lucio Fulci, had soundtracks usually as evocative and inspirational as any visual aspect of the films, soundtracks which often stand as effective works of art all on their own. The scores by prog band Goblin being perhaps best known, influencing such modern day bands as Zombi and Crime In Choir. Now here's another, utterly blatant and most excellent example of Italian giallo soundtrack worship by a current artist: Umberto!

Umberto has a heavily synthesized sound, keyboards buzzing and droning and squelching, crunchily distorted or eerily ethereal, sounding at once like ominous Gothic organ music and also spacey futuristic electronica. Mechanical drumming plods along, propulsive beats adding to the menacing atmosphere. There's also plenty of fat disco synth-bass, and we bet folks into Italians Do It Better 12"s, or Black Devil Disco Club, or even skweee would get a kick out of this too, not just Goblin fanatics... but yeah Goblin fanatics (and John Carpenter and Zombi fans too) REALLY ought to check this out! Very cool, very creepy, and even at times kinda catchy-groovy?"

From Dusted Magazine (Patrick O?Donnell):
"Mining the classic soundtrack work of John Carpenter and Goblin has become a small cottage industry in recent times, with Zombi in particular making a career out of this niche genre. Umberto (a.k.a. Matt Hill, sometimes of Expo 70) has provided us with the newest example with From the Grave, an LP that skirts the edge of Soundtrack for an Imaginary Giallo territory. What saves the project from paling in comparison to his influences is the way Hill skillfully merges them ? his songs are generally anchored by pulsing synths, and then layered with progressive rock keyboards. Much like Zombi, this ends up being danceable music, although Umberto generally eschews the harder edge of Zombi?s work. Hill also seems to have a judicious eye for doling out cheese, never letting his music enter into the realm of irony while clearly not taking things too seriously."

From Synthtopia:
"Umberto?s From The Grave is the soundtrack to the 70′s Italian horror movie that exists only in your imagination."

From FEARnet:
"Another modern aritist whose creative heart beats somewhere around the year 1981, Umberto (a.k.a. Matt Hill, also known for his work with cosmic-rock unit Expo 70) draws inspiration just as heavily from the music of John Carpenter as from Italian horror soundtracks. Also worth noting: his debut full-length album From the Grave has the distinction of being the first album ever inspired by Juan Piquer Simon's splatter classic Pieces (or at least the first artist willing to admit it), so now you know exactly where this cat's coming from."

Black Wax Repress Limited to 300 Copies For $9 Wholesale, minimum 5 copies. E-mail if interested: permanentwax@gmail.com

Mail-order a copy direct for yourself:
https://shop.permanentrecordschicago.com/lp-umberto-from-the-grave-%28repress-ltd-300%29/dp/62665

Currently available through: Bull City, Distort (Australia), Reckless, 20 Buck Spin,  and these distros: Revolver, Forced Exposure, Carrot Top

Thanks!
12
This is new...

7in - Endless Bummer/Basic Cable - Split Flexi - $4.99

Chicago labels Notes and Bolts and Eye Vybe Records have teamed up to bring you this brash flexi of punker jams from LA's Endless Bummer and Chicago's Basic Cable.  Read on for more on this adventure direct from the label peeps:


"The latest in our ongoing series of flexi-discs is a split label release. In cooperation with Eye Vybe Records, we're bringing you a split single between LA by way of Chicago, Endless Bummer; as well as newly formed booze trashers, Basic Cable. Formed by Permanent Records founders, Liz Tooley and Lance Barressi, Endless Bummer mine the budget rock end of the modern garage rock spectrum, coming up with a jammer that sounds like it's straight out of the Mummies' catalog. Basic Cable, formed by ex-Loose Dudes, Heavy Times, and current Running members, is a thrashing two minutes of caterwauling vocals, and instruments that sound like they're going to fall apart at any moment. This is the single you've been waiting to hear to tie out the end of the (bummer) Summer!"


Do you like caterwauling scuzzoid garage punk? How bout a hefty back beat, rubbery bass grooves, some griptape scrape guitar and feral yelps?  Of course you do!!  And so do we!  So plop this little scamp of a flexi on your turntable, turn up the volume and get to know two of today's thrilling new groups.  Endless Bummer finds P-Rex head-honchos Liz and Lance joined by their tight buddy Greg Bummer laying down a quick fix of agitated caveman stomp that'll infect you with the dancing bug while you find yourself uncontrollably grabbing the person next to you at the show whilst Basic Cable, comprised of some Chicago's assorted noteworthy maniacs from various other quality acts metioned above, lean in thick and mean with a paranoid rocker that pummels a riff into the ground while some terrifying laser sound sets its sights for your soul.  It's all over waaaay too soon, so here's hoping we're getting more material from BOTH acts in the near future.  Savagely Recommended.

Hear it here:
http://basiccableendlessbummer.bandcamp.com/album/eye-vybe-notes-bolts-split-flexi-disc

Buy it here:
https://shop.permanentrecordschicago.com/7in-endless-bummer-basic-cable-split-flexi/dp/76690
13
Permanent Records' 36th label release!

500 COPIES PRESSED:
400 ON BLACK WAX AVAILABLE FOR WHOLESALE
100 ON RED WAX AVAILABLE EXCLUSIVELY THROUGH PERMANENT RECORDS CHICAGO & LA


REPRESS OF 300 COPIES ON BLACK VINYL AVAILABLE NOW!

Listen:
https://soundcloud.com/permanentrecords/afflicted-man-for-the-few-i



"I'm Off Me 'Ead" is DIY psych punk (or "Hippy Punk" as Steve Hall calls it) at it's finest, but don't just take my word for it.  Heavyweight record aficionados such as Henry Rollins, Byron Coley, Tom Lax, Doug Mosurock, and Geoffrey Weiss are BIG fans...
 
The idiosyncratic music critic, Byron Coley (Forced Exposure, Bull Tongue, Spin, Wire, Arthur), really lays it out there:  "Steve Hall's Afflicted (Man) project was one of the greatest mystery wobbles to come out of the Brit DIY explosion. Trying to figure out what the hell these records were about took years to unravel. We even thought there might be a Nurse With Wound connection when United Dairies released the Afflicted Man's Musica Box LP. We were stupid, but can you blame us?  The slurred psych blues of I'm Off Me 'Ead were so unlike anything else going on at the time, it almost seemed like the whole thing had to be a put-on of some kind. There had been those earlier records, sure, this one felt way different. The concept of UK stoner-punks had existed for a few years, but their output had tended towards the arty end of things before this. There's a latent brutality to Im' Off that truly lashed our feeble minds. But maybe that's only because L.A. was awash in very good acid right about then. Still, it remains extremely  difficult to place this music inside the contextual history of what was going on then. Jesus, I would have loved to have caught a gig or two. Unimaginable. I bought I'm Off Me 'Ead at the old Vinyl Fetish store on Melrose in '81, same year I finally managed to snag a copy of Randy Holden's
Population II, and they were both records I'd play to anyone who dropped by our pad in Santa Monica for a listening session. The utterly fucked-up-ness of both guitarists never failed to astonish anyone who wasn't too wasted to acknowledge what they were hearing. And so it is."
 
Still Single's Doug Mosurock had this to say: "Afflicted (later Afflicted Man) was the recorded moniker for one Steve Hall, who bashed his way through the '70s and early '80s with a series of self-released records that would touch on barmy punk, excessive high-power guitar psychedelia, and hometaper lunacy, never settling in one area for too long? To say that his I'm Off Me 'Ead LP has a lot in common with a visionary freak like Michael Yonkers is not so ridiculous, especially when you try to draw sonic comparisons between the two instead of geographical ones... By the second album, 1981's I'm Off Me 'Ead, Hall had changed the outfit's name to Afflicted Man; he'd also fashioned his most difficult and engaging record. Released on the Human label, this one had grabbed hold of the vinegar and swigged brazenly, blasting holes in the wide palette of ideas previously documented. Possibly realizing he'd hit a wall with his sound, the record consists of seven raucous blues-punk dirges, restless with anger and dirtier than ever before, a righteous and indignant irritant in the same way that Billy Childish or Dan Melchior would later conjure. Even the master volume fader gets a workout."
 
Tom Lax's Siltblog posted this: "Afflicted Man's style could best described at stock-in-trade Brit DIY w/an almost Street Level sort've quality to it?Too freaked out for punks, too punked out for freaks... must've felt like a rusty safety pin stuck straight through the heart of whatever DIY fanbase Hall had acquired. And for all the Pink Fairies or Hawkwind type's that mighta come across it, it was too primitive & animalistic for their quid."
 
Geoffrey Weiss' is one of the most venerable record collectors in the world.  He summed it up like this: "Deliriously incompetent, frighteningly direct, and bafflingly out-of-time, there is no doubt that Steve Hall is in touch here with something most of us can't get near. "
 
We here at Permanent absolutely love this record and are incomprehensibly honored to be the label reissuing it on vinyl for the first time ever.  It's been fully licensed by Steve Hall himself and painstakingly remastered by the total pros at Penguin Recording in Eagle Rock.  The jacket artwork was graciously reconstituted and touched-up by Bill "Trouble In Mind" Roe.  The full-color "I'm Off Me 'Ead" inner sleeve contains a bunch of unseen Afflicted Man photos, an unpublished interview with Steve Hall and a fully authorized reprint of Chris Stigliano's article from Forced Exposure #9 (Winter 1986).
 
 The first pressing (let's hope there's demand for multiple) is limited to 500 copies worldwide.
 
RIYL: Hawkwind, Pink Fairies, Deviants, The Fall, Alternative TV, Coloured Balls, Michael Yonkers, Vic Godard, Mark Perry, Private Press / Outsider Rock, and REPETITION

Black Wax Limited to 400 Copies For $11 Wholesale, minimum 5 copies. E-mail if interested: permanentwax@gmail.com

Red Wax Limited to 100 Copies Exclusively through Permanent! AVAILABLE NOW:
https://shop.permanentrecordschicago.com/lp-afflicted-man-im-off-me-ead-%28official-2013-reissue-red-wax-ltd-100%29/dp/76396


Black Wax Repress Limited to 300 Copies For $11 Wholesale, minimum 5 copies. E-mail if interested: permanentwax@gmail.com

Mail-order a copy direct for yourself:
https://shop.permanentrecordschicago.com/lp-afflicted-man-im-off-me-ead-%28official-2013-reissue-repress-black-wax-ltd-300%29/dp/76395

Currently available through Academy, Armageddon, Bull City, Distort (Australia) Floridas Dying, Jackpot, Landlocked, Little Big Chief, Nat (Japan), Reckless, Record Shop Base (Japan), Sorry State, and these distros: Carrot Top, Forced Exposure, Revolver, & Forte (UK).

Thanks!
14
SoCal Termbros unite!

Lamps / Smelly Tongues / Endless Bummer / Chew Toys - Friday, June 1st
https://www.facebook.com/events/530043327057904/

https://www.facebook.com/pages/Endless-Bummer/159943387496826?ref=tn_tnmn

JOIN US DOWNTOWN AT A RAD LITTLE SPACE CALLED HAM AND EGGS TAVERN. SUPER CHEAP AND FUCKING AWESOME!! STARTS AT 10PM ON THE DOT. SEE YOU THERE!!

433 W. 8th, Los Angeles, California 90014
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