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White Jazz was pretty good but it left me feeling unsatisfied. Ellroy likes to tie things up in a nice little knot at the end. He likes happy endings, sort of. And oh, my fucking god, does he love plot twists. I found myself finishing the book just to find out what the deal was with the Armenian family, and I suppose that was worth it, sort of. But the double- and triple- crosses between the D.A. and the chief of police and so forth... I know, it's noir, it's pulp, those are the conventions of the genre, but I find them tedious and kind of stupid, especially after reading so much Richard Stark, whose books are so lean, unsentimental, and existentially rigorous. Apples and oranges, etc. I think I'm done with Ellroy, though.