That Dire Straits song is being sung from the perspective of a working class mook who's resentful of the rock stars he sees on television-- he's installing furniture and breaking his back for little money while that 'little faggot' (note jealous perspective) is getting his 'money for nothing and chicks for free'. It's slice of life, and I shouldn't need to tell anyone who's worked in warehouses and construction sites-- let alone over 30 years ago-- how people talk in reality. He's definitely not celebrating it.
was coming here to say just this, to quote the songwriter:
"The lead character in "Money for Nothing" is a guy who works in the hardware department in a television/custom kitchen/refrigerator/microwave appliance store. He's singing the song. I wrote the song when I was actually in the store. I borrowed a bit of paper and started to write the song down in the store. I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real...."
this sort of thing really interests me so I'll go down the list of songs referenced in this thread and what I know about them
Meat Puppets - Goldmine:
This song uses its racial epithet to more explicitly harken back to the point in time it is referencing, when black slaves were brought over to the US. The title of the song is referring to the free labor of slaves being a "gold mine" for the people who brought them over. As far as sitting in the trees is concerned, I think that's the way they were thought of by their captors, just mindless mammals doing nothing. that's my 10 cents at least.
Rolling Stones - Brown Sugar:
This song isn't meant to be offensive but it's VERY stupid and has aged extremely poorly. Perhaps it came from a "good place" but it's bad. These days he admits it's really vulgar pretty much for the sake of it. I would say he is far more sexist than racist but I think that's pretty obvious.
Albini in general:
Again he arguably comes from "a good place" but between rapeman and whatever else... it had it's time and place, at best, in the time of the PRMC. Has not aged well, certainly.
AC/DC and Queen:
Those two songs (fat bottom girls and whole lotta rosie) were written to very specifically be pro-"large women". Not being a "large woman" I can't say if they are offensive or not per-se but they weren't intended to be, specifically whole lotta rosie which is basically something that actually happened to Bon Scott (the singer/writer of said song)
descendents:
no defending "no fb" outside of saying. the stupidity of youth i guess. "you fucking homos" on the other hand, the thought was mostly to call actual straight jocks "gay" because to them that riled them up more than anything else, but these days they have removed those lyrics while playing the songs live and realized the err of their ways. also notable is in the Vandals official release of their 1981 radio broadcast they apologize up front for using "faggot" and such in their banter between songs, attributing it to the follies of youth.
angry samoans:
ive always taken it at a stab at or against closeted homosexuality, which isn't a good thing obviously, but a bit different than proper homophobia? hm. its certainly better than "tooling for anus" (meatmen) or "in the night" (ill repute). this whole band is all about just making stupid shock jock type jokes so I don't overthink it.
homophobia in general in 70s and 80s songwriting has always been an interesting thing to me. the way I've usually taken in even clearly homophobic insults in most punk songs (like those used in the meatmen's songs or im not a loser by the descendents) is that they are really trying to fuck with or aimed at people who are homophobic in that they are afraid that they themselves might be gay, gay panic type of stuff. perhaps that's just my way of trying to justify enjoying these songs though. punks that were really homophobic, like the bad brains, usually talk about that sort of thing openly outside of stupid shit like "shocking" song lyrics.
at the end of the day lyrics are (almost always) open for an incredible array of interpretations so it's hard to pin this stuff down, but that's why I like talking about it! (and of course white minority was sung primarily by a hispanic man! its about the fear there was and still is of immigrants)