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Messages - plymouthshallowgrave

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61
Thi post is much, much more appropriate for waxidermy.

I lost my password.  Never was responded to/issued a new one, otherwise I would of.
62
Its been "reissued", so I'm into that or an OG.  Has slipped thru my fingers one too many times.

Also any Vyto B solo material would be fucking awesome to own...  wishful thinking

Thanks.
63
I had the recent pleasure of meeting the son of one of the Anonymous band members. Very cool guy. He showed me pics from his former record collection - one killer psych record after the next - I guess he sold them all to move.

That's my Anonymous story.

Love that record.  Wish they'd reissue it again.

Listening to grudge - when christine comes around b/w hans zimmer - driving from the driving miss daisy soundtrack...  both are almost identical in melody.  both going on my siamese songs mixtape
64
Non-Music Shit / Re: Your Favorite JPEG/GIF
« on: November 29, 2011, 09:07:33 AM »

65
7 Inches blogspot review:

Stacian is the solo electronic future vision of Stacia Standoff. She's alone in creating a lot of dark electronics with distant layers of vocals over the laser storm. Listening to this, I keep trying to figure out what it is exactly...where the line is... that makes compositions built out of mechanical, synthesized sounds like this either fall into a purely dance type of genre, or lately a dark apocalyptic future. These foreign, very specific tones that have traditionally been used in techno, trance, glitch...all those variations and when a piece is using the same sounds essentially, but it's clearly creating something else. It isn't utilitarian from the conception maybe? It literally will have the same rhythms even...so why is Stacia able to elevate these tones into something mysterious and haunted instead of fist pumping? It's obvious from the first tones cut into vinyl where this lands on that scale...I don't know I guess you can use a guitar for a million different genres, so it's about these tools being taken back away from that mindless party for a more interesting purpose. Artists like Blank Dogs, Gary War, Ducktails, Zola Jesus are similarly reworking these abandoned instruments to take them in a new direction. It's enough to easily tear down any memory of the raves...it's maybe interesting in the way it is so disposable? No one is going to give a shit about any club artist or DJ in a year...I don't know, I'm not going to get anywhere today figuring where that mode of production fits into electronic work like this.
The A-Side, "Blood Sugar" is, while sounding very dark, a fast tempo track, with all of those base wave sounds. The capturing of very birth of a synth sound, the hard ninety degree envelope, a single glitch tone, untouched by effects. Stacian builds up and layers melancholy rhythms one after another. I really think you get something unique about listening to this on vinyl, those sub bass overtones that have to get lost on tiny ipod headphones...oh well, everyone knows that already. it just feels like you cleaned out your ears for the first time when this piece starts diving into the lower scale for a measure. The whole piece becomes more and more layered, the pitch wheel more liberally applied, the oscillating sounds more frantic. This is definitely contemporary but fits and pays homage to the very beginnings of electronic music.
"Metal Mountains" on the B-Side is really closely related to that unsettling darkness of Blank Dogs, bare bones distorted drum machines, everything just slightly peaking in the red, the problems of using this barely held together equipment allowing for these impossible to duplicate moments of alien pop chaos. The main melody is just as strong and catchy as what makes this minimal synth genre ultimately so interesting. It's more than an experimentation, it solves the problems, overcoming everything pushing it away from you in the end.
"Micro Trauma" has a underlying layer of a possibly middle eastern scale type of vocal with a heavy Kraftwerk feel melody. The fast brief bleating scale of synth, except on this one, like all of Stacian it's under a patina of scratched opaque windows. In that, god forbid, lo-fi way it nods at that history of these sounds. Maybe it's trying to recapture that feeling again by adding layers of age. (The hipstamatic app for the iphone).
I'm getting way over my head for a 7" blog post. I loved every minute of this, it's complex and weirdo and expanding on those minimal synth days through the lens of someone who knows that history and takes it from there. Solid and impressive.
66
Non-Music Shit / Re: DAVID HESS: DEAD
« on: October 08, 2011, 02:07:08 PM »

here he is grabbing the titty of NOBUNNY's lil sister. i'll try and find the scan of the pretty great interview from the first(second) issue of the late Chas Balun's DEEP RED magazine too.

Ha...  That's Lil' Princess.  She recently won an Ultimate Dumbass contest in Chicago after pepper spraying herself. 

Her she is on Jerry Springer years ago:

http://www.youtube.com/watch?v=zCSHSPGJKjg

RIP DH
67
New Releases For Sale/Distro Updates / Stacian - Pul 7in EP (Moniker)
« on: September 22, 2011, 09:56:09 AM »
Out Now!  Solo Synth Pop from Milwaukee!



$5.99

http://www.moniker-records.com/shop.html

Listen:

http://www.staciansound.com/

"For her debut single on Moniker, "one-woman Krautrock storm" Stacian (aka synth-sorceress Dania Luck) weaves a wildly fantastical backstory involving a medieval child and his imaginary pet swan, who use synths + drum machines to do battle with repressive forces in a "treacherous valley where fur traders and militia-men reign supreme". This backdrop is hardly requisite for digging into the EP's thick, galactic grooves, but the songs are evocative enough that swan-conjuring hardly seems out of the question.

This lush, grimy short-player will serve just fine for the dancefloor--provided the dancefloor is made of primordial gunk and populated by writhing weirdos. Shorthand it as synth-pop if you must, but the sheer otherworldliness emanating from these tunes is a far cry from 80s revivalism--this is synth not as an end but a means, with a storytelling bent and a rare quality of deep feeling at its core. Stacian  (alongside fellow-travelers like Fielded and Zola Jesus) brings a rich, textured and experimental sensibility to a genre long-dominated by gearheads and revivalists--fur-traders and militia-men be warned".

Distro thru Revolver & Carrot Top

68
New Royal Headache LP.

Excellent singer.  He can belt it.  Nice to hear a punk record with some soulful vocalz!
69
Moniker Records Presents: Jealousy "√iles" LP
Distro available @: moniker.records@gmail.com

     Arguably, some of the most potent ravaged music of the last half-century has come out of sunny California.  "Light reveals shadows" and nowhere is this more evident than in schizophrenic San Francisco; where a "free-spirited, open, progressiveness" has always lived alongside total depravity--wealth, drugs, culture and claustrophobia lend the city (and this S.F. recorded album) a sense of ominous urgency.  However, Jealousy maintains that it's debut album  √iles  is not a sketch of the dark.  "This is a luminescent map from an avid lamp collector," insisting on being, "Hell-bent towards perfect light."

     The metaphor is necessary yet administered casually.  Jealousy models it's presentation on the Dream Machine; a free hanging light bulb in a rotating perforated cylinder totem which corresponds with the brain's alpha-waves producing a "drugless high".  Invented by Brion Gysin and Ian Sommerville in the early 60s (popularised with the help of William S. Burroughs) for it's hallucinogenic effects induced by it's rhythmic pulsing of light.  Dream-machine methods are often employed in Jealousy recordings and performances, the music itself, a Nachtmusik rendering of the dream-machine experience; for a systematic derangement of the senses.

     There is also an obsession with language and its striking delivery; spiritual second-cousin to eternal rock + roll poet laureates such as Jim Carroll and Genesis P.Orridge (or even fellow Californian Jim Morrison, without his messianic imperative); the voice of Jealousy is intoxicated and dissolute.  "Music consumed by street lust", he says, by way of introduction, explaining right off the bat that he's come for our sons and daughters.  "I'll feed them with a copper spoon," slurring, slyly; "And teach them ecstasy."   Which he proceeds to do--surgically ambiguous--for the duration of the album, offering up anthems of drug sores dedicated to corrupted outcasts and wheelchair pharmacists, doctoring the city's lost children, before a malignant psychedelia is administered as a commercial last-ditch inoculation.

--Jealousy's "first stab at recording" made to create a map for live performance with a unique and bizarre group of songs, instrumentals & poetry.
--Jealousy has been performing for several years often touring with Chicago's CAVE all over the USA.
--Featuring solo performance of bass and vocals that exist on stage like a full band sucking black glitter out of a leather clad corpse.

 
--More Links
--Music: http://www.myspace.com/jealousychina
--Music Videos: http://vimeo.com/user1147832
                                                                                                                                                                                  --Out now on Moniker Records:
 
--Stacian - Pul EP -- one-woman Krautrock storm!
http://stacian.bandcamp.com/
 
--Still available:

--Rollin Hunt - Criminal b/w Castle Of Nothing 45rpm -- Savant garde pop!
http://www.myspace.com/rollinghunt
 
--Trailblazer - Gut Reaction b/w Mallard 45rpm -- Subterranean dance pop from Lexington KY!
http://monikerrecords.bandcamp.com/album/gut-reaction-b-w-mallard
 
--John Bellows - Clean Your Clock LP -- Classic 2005 psych-grunge full-length!
http://monikerrecords.bandcamp.com/album/clean-your-clock
 
Moniker Records
P.O. Box 891287
Chicago, IL 60608
www.moniker-records.com

~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~
70
Music Shit / Re: The Tramp Band (1974)
« on: May 27, 2011, 08:46:32 PM »
I must be all alone in liking the A side.  Surprise.

 

How's the a-side?

Not in the same league unfortunately.
71
Music Shit / Re: Crazy recent eBays
« on: April 07, 2011, 08:03:11 PM »
http://cgi.ebay.com/Orig-82-TX-punk-7-45-EP-SCARECROWS-No-Dust-KBD-/370497172407?pt=Music_on_Vinyl&hash=item56435a33b7

I'd call that low, perhaps for condition.

i'd say high given the (low) quality of the music

this is a great record. but i lived in Houston for a stint...

Hick punk.  I'm a born bored Houstonian, must be a hometown pride thang.  My whole family has that accent.
73
Music Shit / Re: blown out is the new gated reverb
« on: March 23, 2011, 07:46:53 PM »


http://www.youtube.com/watch?v=zDIDO9PTvXw


ok, this rules

Fuck! Is this the "band" where one of them is in wheelchair, or is that some other mysterious midwest brother basement combo I'm thinking of?

Wheelchair accessible.
74

Jim Copp & Ed Brown - A Journey to San Francisco with the Glups LP
   Great, insane, and funny children's record. Surreal like a good kids record should be and with no life lessons! Goddamn hate kids records that are supposed to send a positive message to the stupid little imps.


My friend John has been asking me if I know some good children's albums to turn him on to.  I forwarded him this one.  Sounds right up his alley. 
75
Music Shit / Re: Acid Folk recommendations ala VIRGIN INSANITY
« on: February 27, 2011, 09:32:08 AM »
Roger Rubin & Rotfree Anderson ~ "Atlanta Underground - Freek Music"
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