Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Messages - gabriele

Pages: 1 ... 7 8 [9] 10 11 ... 16
121
also The Hussy 7" is sold out and few copies left x Charlie Albright you can get last copies for

USA , Floridas Diyng records , Goner records
Europe , Ken Rock records, P.Trash records , Savage  records, Bachelor records
Japan , Nat records
New Zealand, Perpetrator records
122
Timmy's Organism 7"  sold out .
123
in the next days some copies in Floridas Diyng
125
In U.S.A.  you can find these records at  Floridas Dying records and Goner records
126
new 7" is available!
129
 Crude and Minimal records ...  pre-order  welcome!!!



GB-65- Timmy's Organism - Flyin' Carpet Love Affair / Nocternal Festering Bubbleites- 7"

Side A recorded at Psych-Punk Cave 2007 , side B 2009
Guitars, synth, drums, vocais by Timmy - side A drums by Fast Eddie Alteslabin.
lyrics of side A by Timmy & Oliva Strong , lyrics on side B Love Blood & Timmy
-Single with 3 different cover art variations -
Flyin' Carpet Love Affair cover-art  by JIMBO EASTER - limited 95 hand numbered copies
Flyin' Carpet Love Affair cover-art  by TIMMY V. - limited 95 hand numbered copies
Flyin' Carpet Love Affair cover-art  by ROBBY VEGAS - limited 95 hand numbered copies


GB-66- The Hussy - Dokks / On The Cover - 7"

Two new tracks from The demonic duo's The Hussy!
guitar/voxist Bobby Hussy and drummer/voxist Heather Hussy
-Garage - Punk -Trash !!... and  Rock'n'Roll!! soon new LP on Tic Tac Totally recs.
-Single with 3 different cover art variations -
Goodbye Boozy cover-art # 1  - limited 90 hand numbered copies
Goodbye Boozy cover-art  # 2 - limited 75  hand numbered copies
Boozy Turkey records cover art - limited 75  hand numbered copies



 GB-67- Charles Albright - Things Have Changed / Let's Fuck - 7"

From Sacramento Two new tracks for Charles Albright! ( The Pizzas , The Croissants)
- Proto - Psych - Punk !! ... Black Flag  in the TRIP with  Blue Cheer -
-Single with 3 different cover art variations -
Goodbye Boozy cover-art  - limited 90 hand numbered copies
Black Recs. cover art - limited 75  hand numbered copies
Flag Recs.  cover art - limited 75  hand numbered copies

price  4,5 euro

Store and Distro prices , please write :  goodbyeboozy@tin.it 

Thanks!

130
Great News Outer Minds LP's!!!
131
Goodbye Boozy 2011

Red  Mass   -  " Happy Endings "   7"
Outer Minds  -  " Always in My Head   " 7"
Burning  Itch -   " Satisfied "   7"
Cosmonauts -  "He Never Hit Me"  7"
Useless  Eaters -  " Difficult  "  7"
Indian Wars + Primitive Hands -  split - 7"
Audacity -  "  Vape Victim - 7"
People's Temple " Still (The Same) - 7"
Ramma Lamma - Little Runaway - 7"
132
Cosmonauts ? He Never Hit Me 7″
Fullerton, CA is home to Burger Records, both store and label, and they?ve done a good job of fostering and spreading the garage gospels of Roky Erikson, Poison Ivy, and The Mummies to the masses. And with the sponge like brains the youth typically have, the very young Cosmonauts have been taking extensive notes and doing extra credit, specifically on psych rock living legend John Dwyer.

Drugpunk is their term of choice to describe their sound, and on the new 7? single He Never Hit Me, which is being released by Goodbye Boozy, if it wasn?t them, some cheeky blog writer would have described them as such. But halfway through Hit Me, it almost sounds like the boys took too many tokes and jam for a bit, forgetting the 3-minute surf punk rule. But then, it?s punk to scrap all the rules and take in all the drugs you want.

In addition to this new single, Cosmonauts new LP is out on Permanent, and you can also pick up several tapes from Burger Records. And be on the lookout in August when these kids decide not to go back to school and just tour!





Cosmonauts ? He Never Hit Me 7″

Released in part by the mysterious Goodbye Boozy label is a fresh single from Orange County surf-psych favorites COSMONAUTS. We covered their self-titled full length back in March and these tracks continue on from that mix flawlessly.

So what we have here is a near five minute single which comes from three different labels (one being Goodbye Boozy), each released with their own cover art and a certain number of pressings to confuse the shit out of people. If you can recall (and how couldn?t you?) their s/t from earlier this year, then you should already know how this is going to turn out. ?He Never Hit me? automatically comes through with heavy surf rock vibes and an overwhelming psych twist, combining both breezy summertime notions and a barren, sweltering desert. Pounding drums dismantle everything in their path in unison with paralyzing guitar textures, which proves that Cosmonauts continue to offer these massive, submerging sounds that always end up swallowing you whole in one sloppy, energetic bite.

Flipping over to the B-side, the boys supply an even more invigorating number with their take on ?Little Honda?. They take their blazing surf rock to a whole new level with ecstatic solo work and twangy blues vibes which makes for a destructive yet highly gratifying listen. Shattering textures of haze and crunch mix for a catastrophic sound stricken with hyperactivity, hereby culminating into one of our favorite singles we?ve heard yet this year.



Cosmonauts ? He Never Hit Me 7″These kids sound a bit more palatable on the shorter format, or at least there isn't as much time to think about what might be missing. Title cut cruises at mid-speed with force and a little bit of agility, cutting through water like a heavy freighter, the guitars create dual propulsive drones that circle in on themselves and go a little higher for the breakdown/solo portion. Effectively fuzzed out without sounding West Coast neo-hippie or overly garagey - honestly, it reminds me of something like Spacemen 3 as handled by Brimstone Howl - sort of an earnest modern psych tune a la People's Temple even. B-Side is a "Little Honda" cover that could have been done better by The Moonhearts, but confirms my Brimstone Howl reference earlier...A-Side is a good song, and will make a better intro to the band than the LP. Scum stats: 300 copies/3 labels/e sleeves.(RK)



USELESS EATERS - difficult - 7"

I can hardly keep up with the pace at which Seth Sutton announces and releases music. Slightly more than halfway through the year, he already has an LP and this 7? under his belt with more on the horizon. The A-side here, titular ?Difficult?, is a searing blast of punk/post-punk indebted garage fury. Among the shortest songs Sutton has recorded so far, it lays down a hook that will be hard to shake over trash can style drums. The B-side ?Who R U?? is similar in style, though focused more on chugging, low-end repetition and is over before you wish it could continue for three more minutes?-it?s like a Fall song cut short. The record?s done in under three minutes, and you?ll be lucky to catch your breath before it?s over. By that time, Sutton will probably have already announced another new 7?. Out now on Goodbye Boozy Records with three different limited cover art variations.



USELESS EATERS - difficult - 7"

Hey, a one-sided single with two songs from this guy...just what the doctor ordered. I really like the sleeve variant I got though. These two songs have a bit more personality than the other 7" reviewed above. He's just running through every weird guitar sound he can find and then rattling something off on the 4-track or whatever he's recording himself on. "Difficult" uses a generic underwater effect, "Who R U" has a great shit-fi bass sound with a piercing trebly solo. Both are sub-two minute flashes in the pan. Maybe a bit more on The Spits side of things this time. I've lisetened to this a half dozen times and still find little nutritional value here....300 copies, three sleeves, one side, two songs...(RK)



PRIMITIVE HANDS / INDIAN WARS split 7"

  Indian Wars are from Vancouver, sound like Demon's Claws understudies, snooooooze. Primitive Hands is an actual member of Demon's Claws (Brian Hildebrand, drummer), and both songs are damn good - of a quality similar to the first 7" (which was great), not his second 7' (which kinda stunk). One psych-style stomper that sounds like a Ty Segall song if the kid was Canadian and ballsy or a more garage-y Red Mass moment, and "Priscilla" which is fragile psych-folk with generous reverb and some dextrous picking. I like these cuts and their vibe, too bad they're buried on a split. Primitive Hands are batting just under .500, and while I don't feel like I need to hear LP by them (him?) I do feel like I want to hear more....Scum stats: 300 copies, sporting a couple different label names with three different sleeves all drawn by Canadian artist Bob Scott, the coolest one of which is pictured.(RK)



PRIMITIVE HANDS/INDIAN WARS

Split



Awesome split 7?. Montreal?s Primitive Hands (featuring Brian Hildebrand of Demon?s Claws) get two tracks; Vancouver?s Indian Wars get the same. Bob Scott of Mongrel Zine created three different covers for this 45, so what you see may not be what you get (although it?ll still rule).
133
Red Mass "Happy Endings" 7"
 Red Mass continue their non-stop recording schedule into 2011 via the label that was made for them to release a record on. A-Side has Roy and Co. going schizo with a pair of songs whose edges blend into one another, beginning with a murky and fuzzy roller that seems to act as intro ("I Wish I'd Live in A Treehouse"), which tails off into a nicely psychedelic-pop stretch ("Happy Endings") with church organ, a wonderfully subtle bassline and some eerie background coo-ing, which then gives way to a reprise of the first portion with a biker-fuzz outro and wolf-whoops. Pretty damn good. B-Side has two more, a shithouse Diddley-stomp ("Miss Hurricane") which they weird-out with synth zips and what sounds like an airplane taking off during the part where the solo would traditonally be. "Pow You're Dead" ends on a cowboy-synth number with power tool background clamor. The A-Side of this exemplifies the flashes of genius that make Red Mass a great band (and Roy a great artist) and makes this record worth owning, the B-Side is why I feel like I don't need to own all of their records in the long run. Scum stats: 300 copies released via three different labels (Goodbye Boozy, Chaos Records, and Red Mass Records), with each of their 100 having a different cover. Actually, the GB version is 110 copies, and the other two 95, just to make the math more confusing.(RK)



RED MASS
s/t 7?
Goodbye Boozy 2011

All of my RED MASS reviews across the board get the same message across: Essential listening. However, there is nothing very familiar between one RED MASS release and the next. The first side?s ?Happy Endings? has a great CURE-like bassline and starts and begins with the bomabastic fuzzed out song ?I Wish I?d Live in a Tree House?. B-side is heavy blues punk ?Miss Hurricane? and ends with the uneasy listening (and slightly Dawn Of the Dead filmscore!) song ?Pow, You?re Dead? featuring vocalist Hanna Lewis (HIROSHIMA SHADOWS). Pressing of only 100 numbered copies. (Bob Scott)



BURNING ITCH
Satisfied/Say It Again 7? single
Goodbye Boozy Records 2011

Perhaps the best to date of Italian label Goodbye Boozy?s One Side Fucking Records, a hard list to top! This slays me like the time I glazed my balls with the baster from a jar of Liquid Heet thinking I?d get pleasurable erotic Heet out of it but instead I received scorching chemical death and had to dunk my balls in toilet water while my father hammered on the door listening to my girlish whimpers! I am playing this record to death, the grooves are almost worn. I don?t care, I hope I can get mp3s after I wear this out. BURNING ITCH play like there?s no tomorrow. Their singer delivers payload like a hardcore porno on FF. When he croons ?Everything I said to you was a waste of breath? and the chorus  ?Say it Again? the hair really stands up on my back. Any rock and roller that hears this will be eagerly anticipating BURNING ITCH?S upcoming LP on Tic Tac Totally! A very limited 7? pressing as usual, this one is of 300. (Bob Scott)



BURNING ITCH - satisfied - 7"

Of all the hundreads of bands who tout their bullshit KBD sound or whatever , these dudes nail that wonderful middle-of the country sound born more out oflistening to lotsa Rock n' Roll than haven been nursed on the tit of Killed by Bloodstains across your mams ass. This could totally pass as an unearthed 78 killer - Maximum R n R.



Hard-to-find one-sided 45 from BURNING ITCH. You get two killer lo-fi bedroom punk tunes on this disc. I think this band is just one guy from CHEAP TIME on all the recordings going for a dumbed down REATARDS or TOXIN III vibe. In other words, raw southern punk with a melodic edge. Limited to 300 hand-numbered copies. Goodbye Boozy.



BURNING ITCH - satisfied - 7"

This doesn't exactly sound like the band who released the debut 7" a good portion of the Termbo record-buying public adored. Not better or worse necessarily, just different. "Satisfied" sounds like a pop-punk song buried under healthy amounts of guitar fuzz and a bass played through a blown amp. "Say It Again" sounds a bit more like the debut, with a weird Devil Dogs and Spits (vocals in particular) combination - sort of a mongo garage-grease monkey thing. Handclappy and hooky. I like that they're changing things up, but I also get the feeling that first 7" might have been a bit of a happy accident as well. Scum stats: one-sided, with gross dick-tuck sleeve, 300 copies with hand-written labels that must have been cramp-inducing.(RK



OUTER MINDS -always in my head - 7"

Sixties indebted Chicago rock outfit (formerly known as Sang Des Loups) with A-Ron from Baseball Furies and Zach from Black Beauties (both of whom also play in Lover, who are now based out of Chi-town full-time) follow up their Hozac 7" with this two-songer. "Always In My Head" features a majestic and nearly baroque arrangement with rich vocal harmonies, fancy drum work, tasteful Farfisa accents and plenty of glockenspiel. Sounds so authentically vintage pop-sike it hurts. "Of My Mind" plays more to the psych-side, with a watery vocal effect and a wandering verse leading into a stomping chorus. Backing vox have a church chorus harmony giving it a nice-n-soft background to bounce the aggro rave against. The drummer even gets some on the last blast. Well done adult-rock for the Ugly Things enthusiast looking for a modern band to get into. Scum stats: 300 copies released via three different labels (Goodbye Boozy, Eye Records, and Brain Records, the latter two of which I'm not sure actually exist), with each of their 100 having a different cover.(RK)



134
Ramma Lamma: "Gimme Gimme Gimme Gimme"/"Rock & Roll Lady" and "Little Runaway"/"Do You Know What I'm Doin'"
Milwaukee's glam-gum trio returns with two more slabs of wax, making four 7-inch releases in about a year. For some bands this would seem excessive, but Ramma Lamma has the goods to keep up with this sort of frantic (by modern standards, at least) release schedule. "Gimme Gimme..." includes a pair of Christmas songs packaged in a hilariously disturbing sleeve. The "Little Runaway" disc features another pair of stompers, as usual with one sung by Wendy and one by Ryan. This disc also has a "secret" B-side, which I'll let you discover by buying the record. There are also three different covers for this single from Italy's Goodbye Boozy label. Both of these singles are very limited releases, so those who are interested had best jump quickly. (Certified PR Records, 2011; and Goodbye Boozy, 2011)



Milwaukee glam-poppers RAMMA LAMMA are back with their brand new 7″ on Goodbye Boozy. The husband and wife duo of Wendy Norton and Ryan King only continue to churn out more records.

?Little Runaway? is their most recent effort to date, being the last of the three latest singles from Goodbye Boozy (the others were Audacity and the People?s Temple). ?Little Runaway? plows on through with a heavy stomping rhythm, featuring sharp and jagged guitar licks that squeal in mercy as the snarling vocals guide you through the electrified minefield. The flip side ?Do You Know What I?m Doing?? features more fiery guitars that help solidify a power-pop notion in their sound, picking up momentum at times and overflowing with high-voltage soloing. While that?s awesome, it?s the corny lyrics in this song that might be the overall turn off. Now hear both sides of the 7″ below and have yourself a nice holiday tomorrow. ( Styrofoam Drone)



AUDACITY of Fullerton, California tear shit up on their brand new 7″ from the elusive Goodbye Boozy Records. Like all Goodbye Boozy releases, it comes limited to less than 300 copies with three different cover arts to go around.

The two songs included on their new 7″ come from a previous release of theirs on Burger Records ? a cassette tape featuring eight songs that was released for the sole purpose of their winter tour in 2009 with Crystal Antlers. While those are fresh out by now, at least these two songs have been resurrected thanks to this new single.

?Vape Victim? is a totally sprawling ass kicker that somehow manages to stay remotely organized for its two minute length. A roaring guitar eventually greets you in what is a destructive mess of an introduction, flinging you head first into the rest of the song without the slightest bit of remorse. Suddenly your engulfed in bruising, tom-heavy drumming that spirals out of control in unison with the crunchy and frayed guitar chords. As the description that seems to be floating around with the 7″ promises, these rowdy bastards certainly prove right within this song why the have ?youthful exuberance and exuberant youthfulness.? If you still don?t believe it check the song out right below the post.

?Indian Chief? is a song that reveals heavier surf-rock tenancies in their sound. Guitar riffs sound both flattening and massive as they plow on through with their abrasive complexion, showing off both primitive percussion and excellent song craftsmanship as everything combines into this snarling surf-punk rager that will only leave you begging for more. That being said, this is exactly the kind of garbage that we strive to find around here ? with the reverb drenched vocals, jagged guitars and disastrous amounts of energy that only help suggest an excellent live performance. Unfortunately we don?t know that first hand, but hopefully sometime in the future we can say otherwise. Grab this single while you still can, because if it?s anything like other Goodbye Boozy releases, it?s difficult to track down and quite limited.( Styrofoam Drone)



THE PEOPLE?S TEMPLE weren?t silent for too long after their Hozac LP, as they have come back fairly quickly with a brand new 7″ from the mysterious folks at Goodbye Boozy.

While their ?Sons of Stone? record on Hozac earlier this year was undoubtedly a bigger and bolder statement, this 7″ surprisingly changes up the scale with a lot less quality in the production department. ?Still (The Same)? is a short and totally striped down track, plagued by buzzing and noisy lo-fi growls that stems from crunchy guitars in the shoddy production values. That being said it?s almost like they?ve taken a step backwards towards more simple and primitive roots, which isn?t necessarily a bad thing. B-side track ?See Him Go? sees the band moving back towards more familiar territory, where the quivering track nearly sounds like a resurrected 13th Floor Elevators song. For the tracks two minute length, there seems to be a perpetual rippling swirl that never settles down, resulting in a totally relentless and lysergic element added to the mix.

As an extra surprise, the good folks at Goodbye Boozy have a little secret to fill you in for their latest batch of 7″ records. Each of their newest singles comes with a ?ghost song? housed on the B-side when there is no real indication of a B-side at all. For this People?s Temple 7″, they?ve added in another track called ?Down from the Stars? (which not only nearly doubles the length of the 7″), but sounds more like their roots thanks to it?s glowing guitars and sweeping psyched-out textures. You can thank Goodbye Boozy for letting us include the ?ghost song? below, so take advantage of that and go hear it now!( Styrofoam Drone)

Pages: 1 ... 7 8 [9] 10 11 ... 16