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Messages - teenagegurls

Pages: 1 ... 541 542 [543] 544 545 ... 550
8131
Music Shit / Re: label completism
« on: July 03, 2007, 10:40:02 AM »

My taste = Todd Rundgren's.  Come on NEU CARRRZ!   
8132
Music Shit / Re: Earle Mankey - "Mau Mau" b/w "Crazy"
« on: July 03, 2007, 08:07:27 AM »

Agreed!  Glad someone else has this.  Utterly C-R-A-Z-E-D/P-H-A-S-E-D glitter stompf.  Probably the greatest /cheapest killer glitter pick-up I can think of.  Especially given that it's American.  'Mau Mau' ROCKS HARD!

There's also some semi-unreleased stuff of Earle Mankey backed up by the Quick that's pretty good as well.
8133
Music Shit / Re: What is everybody listening to? Part II
« on: July 02, 2007, 04:59:58 PM »

Clear Light
Common People, 'Of The People, By The People, For The People'
The Boyz, 'Charlotte' b/w 'Laughs On Me'
Rex Grossman, 'Hot Romance'
John Scoggins, 'Pressed For Time'
The Five Blobs, '(Beware Of) The Blob' (has anyone else heard this - one of Burt Bacharach's first hit compositions though you'd never know it - shitty sea cruise 'pop' arrangement with warnings to 'be careful of the Blob' - GREAT!!!!)
8134
Music Shit / Re: Aussie Glam Primer...
« on: July 02, 2007, 02:18:13 PM »

Pussy shit:

ESTONIAN GLAM MUTHAFUCKA!!!!

http://www.youtube.com/watch?v=lYVyqX9kUV8

The genie's lamp is one of the coolest things I've ever seen
8135
Music Shit / Re: YouTube videos (Tyrades, etc)
« on: July 01, 2007, 03:59:22 PM »

Red Lights, 'Never Wanna Leave' (one of my fave ever pop 45's - sounds uncanningly like Stackridge or some lost late 60's pop-sike track - unbelievable!)

http://www.youtube.com/watch?v=oiAQ1TLhMdk


There's also a vintage, unreleased Red Lights' song available for yo slide-show listennnin' plez-shuh.

http://www.youtube.com/watch?v=4OMkR2wU-y4
8136

(is hip hop about anything OTHER than hooks?), but whatev's....

you mean besides mediocrity, repetition and (bad/not good) mindlessness?
8137

Of course the good ole days suck if you define them by some crumby ole webzine.  Shit's sucked since Roman times.  Deal with it. 

THE NINETIES SUCK AND SO DO YOU
8138
Music Shit / Re: label completism
« on: July 01, 2007, 11:37:44 AM »
Steve, there's a ton of 60's pop-pysch you'd like.

You should definately get the Merry Go Round record. The Colours. The Idle Race. The Jackpots from Sweden, you like The Move right?!?? You gotta like the Move...




Colours SUK
and you're a wimp!

Back to the Sir Doug Quintet for deez ears.
8139
Music Shit / Re: obscure 70s punk reissues
« on: June 30, 2007, 02:08:42 PM »

Considering that I have a CD-R of unreleased stuff circa '72- '75 of a band I consider great, is a Ten Inch really the kiss of capitalist death that everyone makes it out to be?  I know I personally find them annoying.  ....elucidation, puh-leeazeee!
8140
Music Shit / Re: label completism
« on: June 30, 2007, 06:23:45 AM »

TITAN!!!
8141
Music Shit / Re: label completism
« on: June 30, 2007, 06:23:31 AM »

Radiogram
8142
Music Shit / Re: label completism
« on: June 30, 2007, 06:10:57 AM »

Ace And Deuce
8143
Music Shit / Re: Crazy recent eBays
« on: June 29, 2007, 12:53:34 PM »
one of you milwaukee folks should stop by and "tune em up" a bit...

Quote
Sound and Vision Planet

1510 W Clayton Crest

Milwaukee, WI 53221

USA

Tried, when he sold me some Gizmos promotional song book.  Strictly, no business address/I run this shit outta my home/leave me the fuck alone kinda jive.  I think he's an old fanzine-r, though not with Bike, Time Barrier Express or (Ballroom) Blitz from what I can tell.  Ask the angels (or Black To Comm Chris). 

Maybe Young Guns posse time. 

MOUNT UP! 
8144
Music Shit / Re: obscure 70s punk reissues
« on: June 29, 2007, 09:07:30 AM »
While we're on the subject, what Rave-Up releases are even good all the way through?

Penetrators "Kings of Basement Rock"
Los Reactors "Dead in the Suburbs"
Epicycle "Teenage Suicide"

I like Vectors "Death to Disco" alright, but nobody else seems to.  Features, Nervebreakers, & Reactors are half good... Am I missing anything?  What's the worst, "Village Pistols"?  So many of their releases are just fucking awful, it's hard to tell.

The Brats would have been great if the sound quality didn't suggest that it was mastered from a third-generation cassette that had been repeatedly flushed down a toilet.  Dogs' 'Teen Slime''s good just for the single tracks, but again couldn't someone just have repressed the 45?  Shady Lady's over-rated and very uneven (and not worth the price it now commands amongst the moronic Rave-Up faithful).  Punks are pretty terrible and that General Foodz LP looks horrific. 

Nervebreakers okay, Classic Ruins jus groovy.   
8145
Music Shit / Re: obscure 70s punk reissues
« on: June 28, 2007, 06:38:28 PM »
I understand your point (especially the part about FAGGOT WOPS), but stuff like the Acid Archives and Rave-Up, to me, seems almost entirely pointless.  It's less about music and more about compiling some crazy all-encompassing aural history.  And I don't care about this sort of shit in the slightest.  I'm not a historian or a completist.  Are these songs really good?  No?  OK!  Then it sucks.  Regardless if it's hopelessly obscure or a wild private press rec birthed from an unlikely basement in British Columbia or the ref point between subsubsubgenres A/B or whatever.  These labels place way too emphasis on elements of music that, uh, ain't music.  It's like buying a really shitty roast beef sandwich prepared by this FUCKING RADICAL DELI OWNER!!!  CHECK OUT THAT GUY'S AWESOME FACE!!!  AND I RARELY SEE HIM, TOO!!!  Ahem.


Word.  No record or band is any good just because some jerk-off in Crime used to listen to 'em or they were Ken Barnes' hometown heroes or they fill in the blanks in some gnarled family-tree.  Records deemed relevant/important solely due to their 'influence' on or connection to later musical trends always blow.  Always.  And even though the historian in me might argue different, if it don't end in good music, fuck some fancy underpinnin'!


And I heard that deli owner's opening up a poutine and taco stand with Michael Yonkers, Curt Boettcher and Peter Grudzien.
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