CAN'T STAND THE MIDWEST
with Matt Coppens
They�re everywhere, in every state, in every town, in every country. Bands,
bands, and more bands. Just think of all the bands you hear about on a daily
basis. So many bands are recording and releasing records at such an alarming
rate it�s absolutely impossible to keep up, and these are just the bands we
hear about who are actually recording and releasing records. What about the
bands we don�t hear about? The bands that self-destruct, self-implode, and
just disintegrate before anybody ever has a chance to hear about them. These
are the bands that really get me all moist in the man-panties, and no other
�musicians� seem to be quite as doomed from the start as punk-rock
�musicians�. There are several reasons for this. Most people who decide to
start a punk-rock band are either cocky, lippy, stupid, drunk, homosexual,
homophobic, annoying, violent, or may have all of these listed personality
traits and several more that are just as hard to ignore. Usually when mixing
two, three, or four people with these traits and getting them all together
to do something all their own and do something creative the combined mixes
can produce some very volatile situations. Such is the case for many
punk-rock bands, which is why it�s a rarity to see a band playing punk-rock
music last more than two or three years together without a single lineup
change or without totally self-destructing and seeing members of the band go
on to make more music with different people only to have the same outcome
over and over again.
In the mid-90�s there were a group of kids who decided to put out a
cassette-only compilation featuring all their favorite punk-rock bands from
West Michigan. They titled the compilation � Music From/For the Brain Dead�
and distributed it mostly locally. Most of the bands on said compilation
were easily forgettable and even more were hardly listenable. There were,
however, three or four bands on the compilation that were more than worth
listening to and have even been described by the small amount of people who
were lucky enough to hear them as great, myself included. The two most
notable bands on the compilation, and the two I plan on talking about in this
crappy column if Rich actually prints it are PR Stunt and Simon Simone.
PR Stunt were about as real a punk band as you could ever come across. The
collective brainchild of Alex Lewd and Jason Mask, PR Stunt formed in Grand
Rapids, Michigan in the early to mid-90�s and broke up in early 2000 after
countless lineup changes. PR Stunt were certainly around long enough to
record, release, and distribute their recordings though this would never
happen outside of the 50 or so cassettes they distributed locally at their
shows. They sounded like a mix of the most snide, bratty, and arrogant 70�s
Brit-punk and the fastest, angriest 80�s Midwest hardcore. Their shows were
a stare-you-in-the-eye blatant �Fuck You� to anybody and everybody within
seeing and/or hearing distance. They could and would alienate every person
in attendance before even striking their first chords by verbally and
occasionally physically abusing the audience to the point where you knew
these guys were not for you but that they were very much against you, and
though many and most people came to despise PR Stunt for these reasons these
were and still are, apart from the fact that they wrote great songs and
killed live, the very reasons I loved them. The two songs on the �Music
From/For the Brain Dead� compilation that made me first take notice of PR
Stunt were �Unity�s a Sham� and �Sarajevo Hotel�. The first being a short
vicious punk stomper taking a stab at punk-rock guidelines and rules, which
hit very close to home for many local show-goers and music followers. The
latter being a venomous anthem against their peers in the predominately
upper class community they called home in East Grand Rapids.
Upon my further listening to the comp I noticed another band that I had
failed to take notice of the first time around. The band was Simon Simone
with Jason Mask, drummer of PR Stunt, playing all the instruments and
handling all the vocals. The two bands Mask played in couldn�t have been
farther apart in sound. PR Stunt being more vicious and rough edged while
Simon Simone though still packed with fury were a smoother and more precise
monster altogether. The two songs on the compilation by Simon Simone were
completely different. One being a slower more droning 70�s glam style number
not unlike the best work of Ziggy Stardust-era Bowie and the second being a
crazed Brit-punk type song featuring Jason screaming out the lyrics in a
similar way to that of Doc Dart of the Crucifucks, titled �Burton Capri�
after the infamous local porno theatre of the same name in Grand Rapids.
Jason had short-lived plans of getting a band together and playing out as
Simon Simone but gave that idea up as quickly as he had originally thought
it up, leaving Simon Simone�s recorded output at a mere two songs on a
cassette only compilation that was owned by maybe sixty-five kids in the
West Michigan area.
Some time last year while listening to these songs again my cassette was
destroyed by my faulty cassette player leaving me without these songs
temporarily until I was smart enough to contact Jason Mask and ask him if he
had any more copies of these recordings. He did. He had a lot more
recordings. We spoke briefly for a bit about me obtaining these recordings
and a week later I went and picked them up. In the package he made for me
Jason included a 40 song PR Stunt CD-R and a seventeen track Simon Simone
CD-R both chronicling everything the two bands respectively recorded from
their beginning to their collective demise. It�s a rare occasion that a
month goes by that I don�t pop these discs into the CD player and play them
for people. Their reaction is usually the same and they are amazed by the
quality of the music and disappointed they never got the chance to hear
these bands while they were still alive and well.
Roughly four years ago I was hired into an aerospace factory where a bunch
of assholes worked. One day one particular asshole in his late
thirties/early forties named Brian Jennings came up and started trying to
talk music with me. I was about to tell him to take a hike until he
mentioned seeing Black Flag play in 1982 in Los Angles. This piqued my
curiosity and soon after we got on the subject of X. This asshole Jennings
gave me some spiel about being friends with Exene of Los Angeles� X and then
quickly moved onto the subject of a band he once played bass in, in 1981
called the Social Idiots who recorded six or seven songs in a garage or
basement and actually had a song, titled �Armageddon Today� where his good
old pal Exene handled vocal duties. I immediately begged for the CD and it
was promised for three years before it finally ended up in my hands. This
asshole Jennings being an asshole though, only included the track where
Exene sang. It�s a sloppy mess of an attempt at a Back From the Grave style
garage punker with Exene Cervenka howling/moaning the vocals. It�s not so
much good as it is interesting and I�d recommend it to any fan of X just as
a little keepsake of sorts.(Ed.: I can neither confirm nor deny that it is actually Exene on this song. Your guess is as good as mine.)
None of the music talked about in this column are available to the public.
Yet, that is. Maybe with enough talking and bitching though we can change
that. Until then, if at all interested in hearing music from both PR Stunt
and Simon Simone contact Jason Mask at: Srrecords-at-aol.com I�m not sure if
he�s charging anything for these, but if he is I doubt he�ll be
charging much. Likewise if at all interested in hearing anything by the
Social Idiots contact this asshole Jennings at: Brianejennings-at-eaton.com and
convince him to send you a CD as this stuff is really worth hearing. The
point of this column was not to preach and tell everybody to support local
music but to support GOOD music. Period.
Until then, I�ll see you all at the Blackout. The Glorified Trash (my
band)/Throbbin� Urges split 7� should be back from the pressing plant
relatively soon. Get in touch if at all interested. Until then check out
www.glorifiedtrash.com and www.throbbinurges.cjb.net for info on either
band. Later.
Contact: freakodepresso-at-hotmail-dot-com
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